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- Gómez-Egaña on temporalit...

Pedro Gómez-Egaña on the relationships between temporality and catastrophe
The exhibition "En Abyme" is the final result of Gómez-Egaña’s three year long artistic research project "Calligraphies".
Publisert: Thursday 13. October 2011 10:56.
Oppdatert: Tuesday 18. October 2011 09:14.
The performance, video, installation and texts presented in the exhibition are part of his ongoing investigation into the significance of temporality in our experience and understanding of catastrophe. Gómez-Egaña is a Research Fellow at Bergen National Academy of the Arts.
While catastrophe is the core of Gómez-Egaña's interest, this show focuses on qualities of time and motion that are in contrast to those of conventional media representations: A series of haunted works that seem to speak to our everyday expectation of something happening somewhere, sometime...
At the centre of the exhibition is the new performance "The Kinetoscope of Time", a short performance telling the story of an installation presented as if it were a kinetoscope. At the same time this piece invites the viewer to discover a series of cross references between the objects, videos and archive material found in the exhibition space.
- Venue: Knipsu, Komediebakken 9, Bergen city centre
- Opening: 21 October 2011 at 8pm.
- Exhibition period: 22 October - 13 November 2011
- Opening hours: Thursday-Sunday from 1-5pm.
- The performance The Kinetoscope of Time plays several times between 3 and 5pm on all of the exhibition's opening days.
- Entrance is free.
About the artist
Pedro Gómez-Egaña was born in Colombia and is currently based in
Norway. Trained both as a composer and visual artist at
Goldsmiths College and the Bergen National Academy of Arts, his
practice varies from performance to sculpture, video, installation
and sound works. This project combines a series of pieces that
explore motion in relation to fundamental forces like gravity,
repetition or catastrophe. Gómez-Egaña often includes compositions
of text and phonographic material, as well as mechanical or video
animations of simple drawings. Although his practice involves
multiple technical resources and artistic disciplines it appears to
construct worlds of particular simplicity.
The Norwegian Artistic Research Programme is parallel to other research educations organised as academic PhD programmes.
Contact
- Pedro Gómez-Egaña, Research Fellow: +47 94 42 18 78 (pedro.gomez.egana@khib.no)
- Astri Kamsvåg, Head of Information, Bergen National Academy of the Arts: +47 93 03 43 30 (astri.kamsvaag@khib.no)
Read more about the project here: www.pedrogomezegana.com
